Together we look at the things she has in two glass fronted
cupboards. There are a few things there which I really love and as she has now
decided to sell her house, she wants me to have them. There is the black cat
tea pot from the 1920s, with a badly glued crack in its red collar. ‘You broke that
when you were a baby,’ she says accusingly. I look at it and wonder whether I
do really want it. I haven’t been allowed to touch it since the age of two.
There is a china pig I bought her from Bellick after a holiday in Ulster, while
the troubles were still on.
I slowly wrap up two
tea sets, one given to her by her grandfather, real Coalport china, quite
beautiful, the other a blue willow pattern doll’s tea service she and I once
played with. Their fragility is very worrying and I know from past experience
that when I take things from my mother’s home and put them into my own, it
doesn’t work somehow. Out of context they lose their value to me. This whole
business of choosing things is tricky too.
‘Not that. Leave me
something,’ she says crossly, and I feel like a thief. Am I helping my mother
or helping myself? Not sure. But I must take some of these things, they are
part of my heritage, and hers. I hold in my hand a tiny chipped milk jug, a bit
bigger than a bird’s egg, one of three sent as a wedding present in 1949, by
her friend, Miss Mac(Donald) who she knew in Inverness during the war. This
lady, who I imagine looking like Margaret Rutherford, was always called Miss
Mac, as she was slightly older than my mother and her friends.
Unfortunately Miss
Mac didn’t pack the jugs well and they arrived smashed and broken. They were
put in a cupboards with their cracks turned to the wall and naturally my mother never told her friend about this.
‘She was a strong
Macdonald,’ she says. ‘Would never speak to a Campbell.’
Her family once lived in a cottage right by the Culloden
battlefield. After the battle one of her ancestors ‘baked a whole batch of
meal’ for the escaping Highlanders. Another ancestor, the original 'whisky Mac' owned a still and once ran
with a keg on his back for four days to escape the excise men. The
cottage is now an information centre. I am probably the only person who hears
Miss Mac’s stories now and I am obliged to take away these shards and chips of other
people’s memories as well as my own.
There are also two pretty tea sets in the cupboard, which
belonged to aunts. They’ve never been used since they came to us and I
will never have room for everything so they’ll have to go
to strangers, although that seems so disloyal. Then there is something I must have, a stout blue Delft vase with a
silver screw top lid, given to my grandmother by the Dutch family who sheltered
my father and other British soldiers in their house in Oosterbeek, after the
Battle of Arnhem. They set up a field hospital in their cellar, and my father
was among the men who tried to look after the wounded there, with hardly any
medical supplies. They visited my grandmother in the 1960s and gave her the vase and a spoon, but I only heard about what happened to my father when he was with them at his funeral. After he died we
lost contact with the family.
‘Only the older generation were involved,’ says my mother, ‘the
younger people wouldn’t be interested.’
It seems a pity that the contact was let slip as I often visit
Holland, but it’s too late now, and I can’t even be sure of the correct spelling
of their name. We move from china to cutlery. The drawers below reveal treasures now almost as redundant as a quill pens;
varnished oak canteens, lined with satin, holding twelve fish eaters with bone handles. They
used to dine large in those days, even in ordinary homes like ours. There are
also six solid silver tea-spoons given as a wedding present. They are an
exception as everything else is EPNS, silver plate, the ignominious metal of
the lower middle classes. We have boxes
of shining knives with serrated edges, some of the blades turning blue from use
and cleaning, by people long dead. There is also a box of beautiful round dessert
spoons just right for eating tinned peaches at Christmas. ‘They all have to be cleaned,’ says my mother with mock horror.
We haven’t even got around to looking at her brass
candlesticks yet. Who has time to spend tending silver plated sugar bowls and
tongs, and who takes that much interest in sugar? Who wants to use delicate tea
cups rather than mugs, or needs heavy glass ashtrays. Everything speaks of
smart Sunday meals and distant dinner parties for large groups of relations in
a much more elegant age, when even quite humble people demonstrated their
respectability with what now seems extraordinary refinement.
While we are sorting through these things I have a slight
but definite queasiness, a feeling of what is the point? My mother now has
ovarian cancer, the same cancer which hit me in 2010, and we are probably both
going to be dead soon. This greatly reduces the charm of any domestic objects.
I try to squash it down as we move outside to her bin store and hecatombs of terracotta pots, jam jars and a
life time of flower vases and that green stuff that goes in the bottom of
arrangements.
I remember her skill
at flower arranging, making any tatty bunch suddenly look good. There are also
her hyacinth vases and bowls for planting bulbs in the dark in October, to
bring out in full bloom near Christmas.
When I was a child all the mothers and grandmother I knew took part in this
ritual. In the 1970s I tried to buy a hyacinth vase in Woolworths and was
really shocked that the sales girl had never heard of them.
The family china which has passed through the hands of so many worthy women, is now parcelled up and stored in two large green bins. When I return this Christmas, if she is still alive, if I am, who knows, we’ll start on the photo albums with their tiny black
and white snaps inside large black pages, the jewellery boxes containing garnet
collar studs and cuff links and elaborate opal necklaces handed down by distant
Edwardian aunts, the cookery books dating back to the 1940s, giving advice on
cooking in an air-raid, and the pans, circa 1950, when things were still built
to last.
My mother was built for long service too. I would like to
take her a cup of tea in the mornings, but I cannot sleep well in the
uncomfortable narrow bed in the hot room, so I fall asleep in the early hours
and don’t wake up until nearly 8am. By then she is down in the kitchen making
breakfast, always ahead of me.
On Sunday, the last day of my visit, I sit for awhile in the
garden on the old rotting seat, thinking about my own forthcoming move out of
London after living there for thirty five years. Rather than all these things
from my mother’s house which I am taking with me, there are things about
myself, pointless emotions, old patterns of thought and useless anxieties that
I really want to leave behind.
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